The brief was to reinforce and develop the narrative with music. The first half is intentionally lite to make a dramatic change from cutesy to demonic. The film edit was locked so the biggest challenge was to integrate the fixed, immoveable sound effects with the music. As the film was created to be a polished visual effects test, photocopier sounds at the end were included to highlight the monochrome, stop motion animation process.

Music and sound design by William Skeaping